Edna Taçon (1905–1980) was an American-born artist raised in Canada, and an active figure in the non-objective art scenes of Toronto and New York in the 1940s. This publication brings together over 25 works from that period alongside archival material, following curator Renée van der Avoird’s research and rediscovery of Taçon’s work, and offering a more complete view of her practice.

The book pairs artworks with archival material across the pages, shifting in scale and rhythm. A lead essay by Renée van der Avoird and an interview with Taçon’s grandson, artist and sculptor Carl Taçon, offer context and insight into Edna’s work and personality.

The design is informed by exhibition announcements and printed ephemera from the 1930s and 40s. Art of Tomorrow: Solomon R. Guggenheim Collection of Non-Objective Paintings (1939) served as an early reference, particularly in its tone and restraint.

Futura, a typeface closely associated with the period, establishes a historical foundation, while Rillus introduces a contemporary counterpart.

Edna Taçon
Published by the AGO, Goose Lane Editions

Printed by Friesens in Canada
Hardcover
9.3" × 9.3"
ISBN 9781773104553